Discourse, Bind 5–81987 |
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Side 43
... feminist novelistic tradition and follows the film's lead back to the words of Christa Wolf , whose narrator / protagonist in The Quest for Christa T. is engaged in a search for : ... the secret of the third person , who is there ...
... feminist novelistic tradition and follows the film's lead back to the words of Christa Wolf , whose narrator / protagonist in The Quest for Christa T. is engaged in a search for : ... the secret of the third person , who is there ...
Side 31
... feminist theory and criticism.1 But if feminism is , in its most basic formulation , a rethinking of dualism , it is not always clear whether this " rethinking " recuperates the familiar dualities , or challenges them . The rethinking ...
... feminist theory and criticism.1 But if feminism is , in its most basic formulation , a rethinking of dualism , it is not always clear whether this " rethinking " recuperates the familiar dualities , or challenges them . The rethinking ...
Side 34
... feminist film criticism . Godard's recent films - Sauve qui peut la vie , Passion , and Pré- nom Carmen - have been particularly debated concerning their in- vestment ( by extension , the filmmaker's , and ours ) in the frankly ...
... feminist film criticism . Godard's recent films - Sauve qui peut la vie , Passion , and Pré- nom Carmen - have been particularly debated concerning their in- vestment ( by extension , the filmmaker's , and ours ) in the frankly ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing