Discourse, Bind 5–81987 |
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Side 16
... female audience . These contrasts are reinforced by a number of others : whereas the men sit on a platform , rising amid much applause to address the crowd , the women huddle in a segregated area , apparently under the platform . The ...
... female audience . These contrasts are reinforced by a number of others : whereas the men sit on a platform , rising amid much applause to address the crowd , the women huddle in a segregated area , apparently under the platform . The ...
Side 29
... female / ethnic identity / difference is commonly tantamount to reviving a kind of naive " male - tinted ... female identity provides a key to understanding the special qualities of contemporary writing by women ... , the diverse ways in ...
... female / ethnic identity / difference is commonly tantamount to reviving a kind of naive " male - tinted ... female identity provides a key to understanding the special qualities of contemporary writing by women ... , the diverse ways in ...
Side 30
... female identity ... that varies from the male model , ” and to demonstrate that " primary identity for women is more flexible and relational than for men . Female gender identity is more stable than male gender identity . Female ...
... female identity ... that varies from the male model , ” and to demonstrate that " primary identity for women is more flexible and relational than for men . Female gender identity is more stable than male gender identity . Female ...
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Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing