Discourse, Bind 5–81987 |
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Side 6
... feel shame , why should the viewed ? " ( Vasanti , in India Cabaret ) . Buyers and sellers are bound to one another ... feeling of being distinct ( if not superior ) from the dancers , and the desire to uplift those supposedly in need of ...
... feel shame , why should the viewed ? " ( Vasanti , in India Cabaret ) . Buyers and sellers are bound to one another ... feeling of being distinct ( if not superior ) from the dancers , and the desire to uplift those supposedly in need of ...
Side 16
... feel it is necessary to do so for our own well - being . What does it matter who the sponsor is ? Every opportunity ... feels sorry " for these men whose power extends well beyond the frontiers of their territor- ies but whose field of ...
... feel it is necessary to do so for our own well - being . What does it matter who the sponsor is ? Every opportunity ... feels sorry " for these men whose power extends well beyond the frontiers of their territor- ies but whose field of ...
Side 68
... feel that there should be no language of compromise , that you should stake out on your own , that marriage is a fall from grace . And men were provoked too : there were many men in the audiences who would rather not hear , rather not ...
... feel that there should be no language of compromise , that you should stake out on your own , that marriage is a fall from grace . And men were provoked too : there were many men in the audiences who would rather not hear , rather not ...
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Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing