Discourse, Bind 5–81987 |
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Side 56
... expression , in the theoretical realm , of the status of author , of creator , explicitly claimed by Eisenstein . Or more precisely , since he calls and will , toward the end of his life , call repeat- edly for a view of creation as ...
... expression , in the theoretical realm , of the status of author , of creator , explicitly claimed by Eisenstein . Or more precisely , since he calls and will , toward the end of his life , call repeat- edly for a view of creation as ...
Side 57
... expression , “ montage of attractions , " are those which are generally bound to come up when Eisenstein is spoken of ( at the price , moreover , of a fairly constant contradiction in meaning with respect to the second of these two ...
... expression , “ montage of attractions , " are those which are generally bound to come up when Eisenstein is spoken of ( at the price , moreover , of a fairly constant contradiction in meaning with respect to the second of these two ...
Side 64
... expression in his famous article on Nana , in Theory of Film Practice . On the question of the voice and the visible , see S. Daney , “ L'Orgue et l'aspirateur , " Cahiers du cinéma , No. 279–80 ( 1977 ) ; R. Odin , " A propos d'un ...
... expression in his famous article on Nana , in Theory of Film Practice . On the question of the voice and the visible , see S. Daney , “ L'Orgue et l'aspirateur , " Cahiers du cinéma , No. 279–80 ( 1977 ) ; R. Odin , " A propos d'un ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing