Discourse, Bind 5–81987 |
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Side 8
... experience as history , and because the present imposes more experience upon us . An immense promotion of the immediate present to the rank of the historic and of personal experience to the rank of legend is being effected at the very ...
... experience as history , and because the present imposes more experience upon us . An immense promotion of the immediate present to the rank of the historic and of personal experience to the rank of legend is being effected at the very ...
Side 60
... experience . All the official agencies of the mass media - TV studios , video corporations , filmmakers - only parade as producers , determining the forms and conditions under which the so - called consu- mers produce and reproduce the ...
... experience . All the official agencies of the mass media - TV studios , video corporations , filmmakers - only parade as producers , determining the forms and conditions under which the so - called consu- mers produce and reproduce the ...
Side 65
... experience in showing the film in Hyderabad can be considered the definitive experience of showing the film in India . It was a complicated experience where so many people from different factions of Indian life - from commercial cinema ...
... experience in showing the film in Hyderabad can be considered the definitive experience of showing the film in India . It was a complicated experience where so many people from different factions of Indian life - from commercial cinema ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing