Discourse, Bind 5–81987 |
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Side 12
... discourse . All currently dominant discourses , right or left - all , that is , which are congruent with an existing social order- make sexual difference an implicit deciding factor for admittance to their fellowships . Women enter ...
... discourse . All currently dominant discourses , right or left - all , that is , which are congruent with an existing social order- make sexual difference an implicit deciding factor for admittance to their fellowships . Women enter ...
Side 16
... discourse and political power - while the latter are relegated to the private sphere , excluded both from speech and ... discourse of Marxism , and take up residence instead within the discourse of feminism . This displacement is ...
... discourse and political power - while the latter are relegated to the private sphere , excluded both from speech and ... discourse of Marxism , and take up residence instead within the discourse of feminism . This displacement is ...
Side 54
... discourse and articulation of subject positions . Thus they demand a space , both in film theory and criticism , for the dimensions of history , memory , and experience , discourses in the combat zone between public and private realms ...
... discourse and articulation of subject positions . Thus they demand a space , both in film theory and criticism , for the dimensions of history , memory , and experience , discourses in the combat zone between public and private realms ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing