Discourse, Bind 5–81987 |
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Side 83
guarantee of Engels and his Dialectics of Nature , which could not be more orthodox . From Engels's theses Eisenstein retains this potent idea : that nature is governed by laws whose essence is dialectical ; and especially that in ...
guarantee of Engels and his Dialectics of Nature , which could not be more orthodox . From Engels's theses Eisenstein retains this potent idea : that nature is governed by laws whose essence is dialectical ; and especially that in ...
Side 84
... Dialectic Eisenstein is very precisely the contemporary of the ( re ) discovery of a whole section of the Marxist Text , the very one which deals essen- tially with philosophical questions , with the constitution of " dialectical ...
... Dialectic Eisenstein is very precisely the contemporary of the ( re ) discovery of a whole section of the Marxist Text , the very one which deals essen- tially with philosophical questions , with the constitution of " dialectical ...
Side 85
these eminently apodictic statements : Dialectical materialism is the general theory of the Marxist- Leninist Party . Dialectical materialism is so named because the way it views the phenomena of nature , its method of investigation and ...
these eminently apodictic statements : Dialectical materialism is the general theory of the Marxist- Leninist Party . Dialectical materialism is so named because the way it views the phenomena of nature , its method of investigation and ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing