Discourse, Bind 5–81987 |
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Side 60
... definition of the word . Without giving up the " aggressive " characteristics which have just been defined , the attraction begins to designate , or , at least ( for none of this is ever clearly formulated ) , to evoke a process of more ...
... definition of the word . Without giving up the " aggressive " characteristics which have just been defined , the attraction begins to designate , or , at least ( for none of this is ever clearly formulated ) , to evoke a process of more ...
Side 135
... definition , nor even , properly speaking , a moral one , of the actors , but their sym- bolic definition . This process might be called symbolic ... defined as the lowest term in a certain topology35 ) that MONTAGE EISENSTEIN II 135.
... definition , nor even , properly speaking , a moral one , of the actors , but their sym- bolic definition . This process might be called symbolic ... defined as the lowest term in a certain topology35 ) that MONTAGE EISENSTEIN II 135.
Side 20
... defined by the unpaid labor which they continue to perform within the home , labor which is defined in terms of personal needs rather than the demands of capital . The definition of women in terms of unpaid labor produces female ...
... defined by the unpaid labor which they continue to perform within the home , labor which is defined in terms of personal needs rather than the demands of capital . The definition of women in terms of unpaid labor produces female ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing