Discourse, Bind 5–81987 |
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Side 19
... culture in Mexico became " pre - Columbian " culture , low as opposed to the high culture of the European con- querors . The old gods did not constitute an alternative religion , or symbolic order , but rather a previous one that went ...
... culture in Mexico became " pre - Columbian " culture , low as opposed to the high culture of the European con- querors . The old gods did not constitute an alternative religion , or symbolic order , but rather a previous one that went ...
Side 90
... culture ( i.e. , a high culture ) can be seen both as a gesture of dis- avowal and a mechanism by which that capital organizes the condi- tions of its power . High culture is also more amenable to the appli- cation of nationalist ...
... culture ( i.e. , a high culture ) can be seen both as a gesture of dis- avowal and a mechanism by which that capital organizes the condi- tions of its power . High culture is also more amenable to the appli- cation of nationalist ...
Side 132
... culture , with an emphasis on critical and cultural theory , literary studies , the experimental arts and film , and mass culture . Indiana University Press pub- lishes the Center's book series Theories of Contemporary Culture . Some of ...
... culture , with an emphasis on critical and cultural theory , literary studies , the experimental arts and film , and mass culture . Indiana University Press pub- lishes the Center's book series Theories of Contemporary Culture . Some of ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing