Discourse, Bind 5–81987 |
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Side 31
... body , a resistance not congruent , not commensurable with the dialectic of the system , as Alex's is , thus not its political negation but an absolute negativity . This resistance , the film suggests , is not located within the terms ...
... body , a resistance not congruent , not commensurable with the dialectic of the system , as Alex's is , thus not its political negation but an absolute negativity . This resistance , the film suggests , is not located within the terms ...
Side 86
... body as a form of inscription , presenting it as a -commodity : audiences are allowed a voyeuristic look at the private life of a recognized public figure ; -weapon : the body becomes an instrument of dominance and submission ...
... body as a form of inscription , presenting it as a -commodity : audiences are allowed a voyeuristic look at the private life of a recognized public figure ; -weapon : the body becomes an instrument of dominance and submission ...
Side 52
... body only takes place metonymically ; seen from the back , no ges- ture of the head can be ' synchronous ' per se ( and here again , an important secondary factor plays its part in our correct attribution of a voice to a body , namely ...
... body only takes place metonymically ; seen from the back , no ges- ture of the head can be ' synchronous ' per se ( and here again , an important secondary factor plays its part in our correct attribution of a voice to a body , namely ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing