Discourse, Bind 5–81987 |
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Side 78
... appears to them as a nightmare , as a never - ending horror film , one that they have been documenting with almost masochistic thoroughness for some ten years now . 18 Seen in isolation , the Fassbinder sequence could be said to drama ...
... appears to them as a nightmare , as a never - ending horror film , one that they have been documenting with almost masochistic thoroughness for some ten years now . 18 Seen in isolation , the Fassbinder sequence could be said to drama ...
Side 90
... appears eternal , continuous , archetypal . The " first time " is contained within each re - play to the point that the origin is inconsequential . There appears to be no historical specificity to the piropo . It just seems to be . This ...
... appears eternal , continuous , archetypal . The " first time " is contained within each re - play to the point that the origin is inconsequential . There appears to be no historical specificity to the piropo . It just seems to be . This ...
Side 92
... appears to be “ fixed , ” natural . Yet , like the figures of woman and Buenos Aires in the text , the tango is presented ambivalently : I always thought I hated the tango just as I always thought I detested Buenos Aires , the city of ...
... appears to be “ fixed , ” natural . Yet , like the figures of woman and Buenos Aires in the text , the tango is presented ambivalently : I always thought I hated the tango just as I always thought I detested Buenos Aires , the city of ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing