Discourse, Bind 5–81987 |
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Side 64
... cabaret dancers lead very itinerant lives and they leave no forwarding address . So I was really surprised one morning when a tremendously excited Rosy flew into my hotel room . She had read reviews of India Cabaret in the local papers ...
... cabaret dancers lead very itinerant lives and they leave no forwarding address . So I was really surprised one morning when a tremendously excited Rosy flew into my hotel room . She had read reviews of India Cabaret in the local papers ...
Side 69
... India Cabaret are located very specifically within Indian culture , they also could be survivors anywhere in the world . Even in Japan which is a very polite , understated , ritualized society , the response to the film was enormous ...
... India Cabaret are located very specifically within Indian culture , they also could be survivors anywhere in the world . Even in Japan which is a very polite , understated , ritualized society , the response to the film was enormous ...
Side 70
... India . It is never polemic nor it is voyeuristic . At a time when we in the ... Cabaret . Background and Filmography After three years as an actress in a ... India , an hour - long documentary on an Indian immigrant subway newsstand ...
... India . It is never polemic nor it is voyeuristic . At a time when we in the ... Cabaret . Background and Filmography After three years as an actress in a ... India , an hour - long documentary on an Indian immigrant subway newsstand ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing