Discourse, Bind 5–81987 |
Fra bogen
Resultater 1-3 af 20
Side 89
... Buenos Aires since the typical Porteño in the text possesses an enormous appetite . Facing the void , the Porteño eats : " Pizza or death ! Gefilte fish or the terrifying feeling of ignoring the why's and how's , the profound reason for ...
... Buenos Aires since the typical Porteño in the text possesses an enormous appetite . Facing the void , the Porteño eats : " Pizza or death ! Gefilte fish or the terrifying feeling of ignoring the why's and how's , the profound reason for ...
Side 95
... Buenos Aires and Europe are similar . In Buenos Aires the writer vacillates between scorn of the porteño mimicry of European standards and values and the difficulty of ascertaining cultural distinctions in the modern world - system ...
... Buenos Aires and Europe are similar . In Buenos Aires the writer vacillates between scorn of the porteño mimicry of European standards and values and the difficulty of ascertaining cultural distinctions in the modern world - system ...
Side 97
... Buenos Aires . She also shows us how Buenos Aires ( and here we may insert the post - colonial subject ) builds something piecemeal out of marginality . What first appear to be weaknesses or drawbacks become components of a survival ...
... Buenos Aires . She also shows us how Buenos Aires ( and here we may insert the post - colonial subject ) builds something piecemeal out of marginality . What first appear to be weaknesses or drawbacks become components of a survival ...
Andre udgaver - Se alle
Almindelige termer og sætninger
Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing