Discourse, Bind 5–81987 |
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Side 84
... Algiers as a Hollywoodean Z - type exercise in political melo- drama . Such critiques run the dangers of being 1 ) a - historical ( we must situate the film in the con- text of 1966 ) ; 2 ) politically counter - productive ( the Left ...
... Algiers as a Hollywoodean Z - type exercise in political melo- drama . Such critiques run the dangers of being 1 ) a - historical ( we must situate the film in the con- text of 1966 ) ; 2 ) politically counter - productive ( the Left ...
Side 85
... Algiers . However , the Arnoldian view of a future dominated by American energy and capital remains one way of segmenting out an element of American schizophrenia . Calling on the state to protect the peo- ple from becoming Americanized ...
... Algiers . However , the Arnoldian view of a future dominated by American energy and capital remains one way of segmenting out an element of American schizophrenia . Calling on the state to protect the peo- ple from becoming Americanized ...
Side 41
... Algiers : three women , two of them sitting in front of a hookah . The third woman , in the foreground , is semi ... Algiers , Delacroix again re- called it , worked on it once more , and in the Salon of 1849 he exhibited a second ...
... Algiers : three women , two of them sitting in front of a hookah . The third woman , in the foreground , is semi ... Algiers , Delacroix again re- called it , worked on it once more , and in the Salon of 1849 he exhibited a second ...
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Achternbusch Alexander Kluge Anastasia avant-garde body Buenos Aires Cabaret Cahiers du cinéma camera character classical concept context contradiction critical critique culture desire dialectical diegesis diegetic discourse documentary dominant effect Eisenstein Eisensteinian enunciation Euphrosinia example Fassbinder Fassbinder's female feminism feminist fiction figure film theory film's filmic filmmakers fragment frame function gaze German Cinema Germany in Autumn Godard Helke Sander Herbert Achternbusch idea identification identity ideological imaginary India Cabaret Indian Ivan Ivan's Kaja Silverman Kluge Lacan language Laura Mulvey Lili Marleen look male meaning metaphor Milena montage movement narrative narrator notion opposition organicism political Porteño position precisely present produce public sphere question relation relationship representation Roswitha scene sequence sexual difference shot signifier social sound space speak spectator speech story structure Subjective Factor symbolic tango television theme theoretical tion tive viewer visual voice voice-over woman women word writing