SELECT POETICAL PIECES OF SIR WALTER SCOTT. HE following pieces have been selected, with some degree of care, from the various poetical works of Sir Walter Scott, with the view of placing in the hands of the less opulent classes a pleasing specimen of productions once so deservedly popular, and still highly esteemed for their beauty of language and sentiment. The works principally selected from are the Lay of the Last Minstrel, Marmion, and the Lady of the Lake, which were originally published between the years 1805 and 1810. The leading quality of these productions, as may be observed from our extracts, is fidelity in describing objects and appearances in nature and rural imagery, along with a charming softness of versification. Some of the lyrical pieces are also much admired. SCOTLAND-MY NATIVE LAND. BREATHES there the man, with soul so dead, From wandering on a foreign strand! O Caledonia, stern and wild, Land of brown heath and shaggy wood, Land of my sires! what mortal hand That knits me to thy rugged strand! Sole friends thy woods and streams were left; Even in extremity of ill. By Yarrow's stream still let me stray, HYMN OF THE HEBREW MAID. WHEN Israel, of the Lord beloved, Out from the land of bondage came, There rose the choral hymn of praise, And trump and timbrel answered keen; And Zion's daughters poured their lays, With priest's and warrior's voice between. No portents now our foes amaze Forsaken Israel wanders lone; But, present still, though now unseen, And oh, when stoops on Judah's path Our harps we left by Babel's streams, And mute are timbrel, trump, and horn. MELROSE ABBEY. If thou would'st view fair Melrose aright, When the broken arches are black in night, And the scrolls that teach thee to live and die ; When distant Tweed is heard to rave, And the owlet to hoot o'er the dead man's grave; TIME. [From The Antiquary.] WHY sitt'st thou by that ruined hall, 'Knowest thou not me?' the Deep Voice cried, So long enjoyed, so oft misused Alternate, in thy fickle pride, Desired, neglected, and accused? Before my breath, like blazing flax, Redeem mine hours-the space is briefWhile in my glass the sand-grains shiver, And measureless thy joy or grief, When Time and thou shall part for ever!' THE RESOLVE. IN IMITATION OF AN OLD ENGLISH POEM. My wayward fate I needs must 'plain, I loved, and was beloved again, For, as her love was quickly got, No more I'll bask at flame so hot, But coldly dwell alone. Not maid more bright than maid was e'er My fancy shall beguile By flattering word or feigned tear, By gesture, look, or smile; No more I'll call the shaft fair shot, Till it has fairly flown, Nor scorch me at a flame so hot- Each ambushed Cupid I'll defy, In cheek, or chin, or brow, I'll lightly hold the lady's heart I'll steel my breast to beauty's dart, The flaunting torch soon blazes out; The flame its glory hurls about; The gem its lustre hides. Such gem I fondly deemed was mine, And glowed a diamond stone; But, since each eye may see it shine, I'll darkling dwell alone. Nor waking dream shall tinge my thought With eyes so bright and vain; No silken net, so slightly wrought, Shall 'tangle me again; No more I'll pay so dear for wit; Nor shall wild passion trouble it— And thus I'll hush my heart to rest- Thou shalt no more be wildly blest, They seek no loves-no more will I— LOVE. AND said I that my limbs were old; In peace, Love tunes the shepherd's reed; In hamlets, dances on the green. Love rules the court, the camp, the grove, DEATH OF A POET. CALL it not vain--they do not err Who say that, when the poet dies, Mute Nature mourns her worshipper, And celebrates his obsequies; Who say tall cliff, and cavern lone, For the departed bard make moan; That mountains weep in crystal rill; That flowers in tears of balm distil; Through his loved groves that breezes sigh, And oaks, in deeper groan, reply; |