Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 7–9Wayne State University Press, 1985 |
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Side 46
... move onto the stage of the fatal risk , uncovering the other - eye , the genital eye . Halfway through this slippery progression is to be seen the single stopping point of the " belly dance , " which makes the other eye , the navel- eye ...
... move onto the stage of the fatal risk , uncovering the other - eye , the genital eye . Halfway through this slippery progression is to be seen the single stopping point of the " belly dance , " which makes the other eye , the navel- eye ...
Side 85
... moving between use of a dominant language and less - valued modes of expression . Similarly , women and men who move between cultures , languages , and the various configurations of power and meaning in complex colonial situa- tions ...
... moving between use of a dominant language and less - valued modes of expression . Similarly , women and men who move between cultures , languages , and the various configurations of power and meaning in complex colonial situa- tions ...
Side 97
... move away from the west , the " intimate city " of the suburb Ramos Mejia , occurs when Ortiz's father comes home from a political impris- onment . The family moves east , towards the center of the city , towards a more secure life . Each ...
... move away from the west , the " intimate city " of the suburb Ramos Mejia , occurs when Ortiz's father comes home from a political impris- onment . The family moves east , towards the center of the city , towards a more secure life . Each ...
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BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
Copyright | |
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York