Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 7–9Wayne State University Press, 1985 |
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Side 32
... kind of cinema , in which pleasure would be a function of something other than the familiar dualities . What has become increasingly apparent , however , is that those familiar dualities are not so easily dispensed with , and that the ...
... kind of cinema , in which pleasure would be a function of something other than the familiar dualities . What has become increasingly apparent , however , is that those familiar dualities are not so easily dispensed with , and that the ...
Side 98
... kind of theory that , say , Sylvia Harvey or Constance Penley are looking forward to . Whereas it once was almost a commonplace to regard any form of cinematic illusionism as inimical to political functions other than propaganda ...
... kind of theory that , say , Sylvia Harvey or Constance Penley are looking forward to . Whereas it once was almost a commonplace to regard any form of cinematic illusionism as inimical to political functions other than propaganda ...
Side 102
... kind of disaster do we imagine in the nuclear holocaust ? When we think that we , all of us and our children , will not be because of a nuclear war , what we contemplate is not suicide , for at least some of the agents we think of would ...
... kind of disaster do we imagine in the nuclear holocaust ? When we think that we , all of us and our children , will not be because of a nuclear war , what we contemplate is not suicide , for at least some of the agents we think of would ...
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BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York