Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 7–9Wayne State University Press, 1985 |
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Side 71
... feeling that I will never understand the tears . Might as well give up . I am still bothered though . I nag myself . After all what picture do I have of my own body ? I feel the internal , but can only touch the external . I see only a ...
... feeling that I will never understand the tears . Might as well give up . I am still bothered though . I nag myself . After all what picture do I have of my own body ? I feel the internal , but can only touch the external . I see only a ...
Side 6
... feel shame , why should the viewed ? " ( Vasanti , in India Cabaret ) . Buyers and sellers are bound to one another ... feeling of being distinct ( if not superior ) from the dancers , and the desire to uplift those supposedly in need of ...
... feel shame , why should the viewed ? " ( Vasanti , in India Cabaret ) . Buyers and sellers are bound to one another ... feeling of being distinct ( if not superior ) from the dancers , and the desire to uplift those supposedly in need of ...
Side 68
... feel that there should be no language of compromise , that you should stake out on your own , that marriage is a fall from grace . And men were provoked too : there were many men in the audiences who would rather not hear , rather not ...
... feel that there should be no language of compromise , that you should stake out on your own , that marriage is a fall from grace . And men were provoked too : there were many men in the audiences who would rather not hear , rather not ...
Indhold
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
Copyright | |
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York