Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 7–9Wayne State University Press, 1985 |
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Side 14
... dominant cinema . He takes " seven of the values of the old cinema , Hollywood Mos - film as Godard would put it , " and contrasts them with " their ( revolu- tionary , materialist ) counterparts and contraries . In a sense the seven ...
... dominant cinema . He takes " seven of the values of the old cinema , Hollywood Mos - film as Godard would put it , " and contrasts them with " their ( revolu- tionary , materialist ) counterparts and contraries . In a sense the seven ...
Side 83
... dominant over the Imaginary . However confused we may be about our actual relationship to the Real , and however ... dominance in our social , economic and ecological relations.3 It is clear that Wilden feels not only that his country is ...
... dominant over the Imaginary . However confused we may be about our actual relationship to the Real , and however ... dominance in our social , economic and ecological relations.3 It is clear that Wilden feels not only that his country is ...
Side 86
... dominant order of production whose very breath and " vulgarity " ensures an easily purchased erotic charge . Unless that pleasure and fascination can be systematically addressed the exchanges will continue much as they always have ...
... dominant order of production whose very breath and " vulgarity " ensures an easily purchased erotic charge . Unless that pleasure and fascination can be systematically addressed the exchanges will continue much as they always have ...
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BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
Copyright | |
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York