Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 7–9Wayne State University Press, 1985 |
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Side 84
... Marxism that the particular First - World finds most sympathetic.4 One danger for any First - World critic must be the use of naive rhetoric which ultimately displaces the problems of cultural colo- nialism into a series of ...
... Marxism that the particular First - World finds most sympathetic.4 One danger for any First - World critic must be the use of naive rhetoric which ultimately displaces the problems of cultural colo- nialism into a series of ...
Side 100
... Marxism and Third World lib- eration movements , of Marxism and Feminism , of ' 60s optimism and ' 80s disillusionment . Unlike films where the diegesis disavows or seeks to contain the diversity of referential material by construct ...
... Marxism and Third World lib- eration movements , of Marxism and Feminism , of ' 60s optimism and ' 80s disillusionment . Unlike films where the diegesis disavows or seeks to contain the diversity of referential material by construct ...
Side 111
... Marxism ) , the boundaries which the film establishes , in order to secure its own discursive functioning have to do with mapping onto the linguistic difference of personal pronouns the temporal and spatial differ- ences which signify ...
... Marxism ) , the boundaries which the film establishes , in order to secure its own discursive functioning have to do with mapping onto the linguistic difference of personal pronouns the temporal and spatial differ- ences which signify ...
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BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
Copyright | |
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York