Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 7–9Wayne State University Press, 1985 |
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Side 84
... Algiers as a Hollywoodean Z - type exercise in political melo- drama . Such critiques run the dangers of being 1 ) a - historical ( we must situate the film in the con- text of 1966 ) ; 2 ) politically counter - productive ( the Left ...
... Algiers as a Hollywoodean Z - type exercise in political melo- drama . Such critiques run the dangers of being 1 ) a - historical ( we must situate the film in the con- text of 1966 ) ; 2 ) politically counter - productive ( the Left ...
Side 39
... Algiers for a short stopover . He had just spent a month in Morocco , immersed in an atmosphere of extraordinary visual richness ( sumptuous costumes , frenzied displays of horsemanship , the opulence of a royal court , picturesque ...
... Algiers for a short stopover . He had just spent a month in Morocco , immersed in an atmosphere of extraordinary visual richness ( sumptuous costumes , frenzied displays of horsemanship , the opulence of a royal court , picturesque ...
Side 41
... Algiers : three women , two of them sitting in front of a hookah . The third woman , in the foreground , is semi ... Algiers , Delacroix again re- called it , worked on it once more , and in the Salon of 1849 he exhibited a second ...
... Algiers : three women , two of them sitting in front of a hookah . The third woman , in the foreground , is semi ... Algiers , Delacroix again re- called it , worked on it once more , and in the Salon of 1849 he exhibited a second ...
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BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 4 |
The View | 42 |
A Conversation with | 66 |
Copyright | |
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Adynata aesthetic American avant-garde become Bell Hooks body Buenos Aires camera Carnival context critical critique cultural cybernetic cyborg dance deconstruction desire diegesis diegetic discourse dominant ecological enunciation essay example eyes fantasy Farocki female feminism feminist fiction film theory filmic France Tour function gaze gender Godard Gravity's Rainbow Hayles Helke Sander holism human identity ideology imaginary India Cabaret Indian issue Lacan language Laura Mulvey Liberty Weekend Lili Marleen literary literature look Lyotard male meaning memory metaphor Minh-ha mirror mode myth narrator notion nuclear Oedipal opposition oppression organism performance political Porteño position possible postmodern present problem production Pynchon question relation represent representation semiotic sense sexual difference signifier silence social sound space speak spectacle spectator speech story structure Symbolic order tango textual threat tion tive traditional visual voice whole woman women word writing York