 Gira were limited to the negative aspects of the question and to the silent film only, this hardly impairs their validity. For in this respect, the sound film did not change anything essential. What matters is that the part is acted not for an audience...  Re-viewing Fascism: Italian Cinema, 1922-1943 - Side 77redigeret af - 2002 - 384 siderBegrænset visning - Om denne bog
 | Manuela Gieri - 1995 - 392 sider
...the negative aspects of the question and to the silent film only, this hardly impairs their validity. For in this respect, the sound film did not change...contrivance - in the case of the sound film, for two of them.76 Since the introduction of sound did not basically change the condition of the actor within... | |
 | Michael McKeon - 2000 - 972 sider
...the negative aspects of the question and to the silent film only, this hardly impairs their validity. For in this respect, the sound film did not change...— in the case of the sound film, for two of them. "The film actor," wrote Pirandello, "feels as if in exile — exiled not only from the stage but also... | |
 | Chris Jenks - 2003 - 298 sider
...the negative aspects of the question and to the silent film only, this hardly impairs their validity. For in this respect, the sound film did not change...- in the case of the sound film, for two of them. "The film actor," wrote Pirandello, "feels as if in exile - exiled not only from the stage but also... | |
 | Philip Simpson, Andrew Utterson, Karen J. Shepherdson - 2004 - 346 sider
...the negative aspects of the question and to the silent film only, this hardly impairs their validity. For in this respect, the sound film did not change...contrivance — in the case of the sound film, for IX two of them. "The film actor," wrote Pirandello, "feels as if in exile-exiled not only from the... | |
 | Joanne Morra, Marquard Smith - 2006 - 482 sider
...the negative aspects of the question and to the silent film only, this hardly impairs their validity. For in this respect, the sound film did not change...— in the case of the sound film, for two of them. "The film actor," wrote Pirandello, "feels as if in exile — exiled not only from the stage but also... | |
 | Sean Redmond, Su Holmes - 2007 - 402 sider
...the negative aspects of the question and to the silent film only, this hardly impairs their validity. For in this respect, the sound film did not change...— in the case of the sound film, for two of them. "The film actor," wrote Pirandello, "feels as if in exile — exiled not only from the stage but also... | |
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