The Future of NostalgiaBasic Books, 5. aug. 2008 - 352 sider Can one be nostalgic for the home one never had? Why is it that the age of globalization is accompanied by a no less global epidemic of nostalgia? Can we know what we are nostalgic for? In the seventeenth century, Swiss doctors believed that opium, leeches, and a trek through the Alps would cure nostalgia. In 1733 a Russian commander, disgusted with the debilitating homesickness rampant among his troops, buried a soldier alive as a deterrent to nostalgia. In her new book, Svetlana Boym develops a comprehensive approach to this elusive ailment. Combining personal memoir, philosophical essay, and historical analysis, Boym explores the spaces of collective nostalgia that connect national biography and personal self-fashioning in the twenty-first century. She guides us through the ruins and construction sites of post-communist cities -- St. Petersburg, Moscow, Berlin, and Prague-and the imagined homelands of exiles-Benjamin, Nabokov, Mandelstam, and Brodsky. From Jurassic Park to the Totalitarian Sculpture Garden, from love letters on Kafka's grave to conversations with Hitler's impersonator, Boym unravels the threads of this global epidemic of longing and its antidotes. |
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... style embody nostalgic and antinostalgic visions.The recent reinvention of urban identity sug- gests an alternative to the opposition between local and global culture and offers a new kind of regionalism—local internationalism.We will ...
... style embody nostalgic and antinostalgic visions.The recent reinvention of urban identity sug- gests an alternative to the opposition between local and global culture and offers a new kind of regionalism—local internationalism.We will ...
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... style and space. The “archive” of traditions that Herder found in folk songs was no longer to be left to chance.The ... style favored by Napoleon to the new historical styles—neo-Gothic, neo-Byzantine, and so on—as the cycles of From ...
... style and space. The “archive” of traditions that Herder found in folk songs was no longer to be left to chance.The ... style favored by Napoleon to the new historical styles—neo-Gothic, neo-Byzantine, and so on—as the cycles of From ...
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Svetlana Boym. new historical styles—neo-Gothic, neo-Byzantine, and so on—as the cycles of revolutionary change are accompanied by restorations that end up with a recovery ofa grand style. Nostalgia as a historical emotion came of age at ...
Svetlana Boym. new historical styles—neo-Gothic, neo-Byzantine, and so on—as the cycles of revolutionary change are accompanied by restorations that end up with a recovery ofa grand style. Nostalgia as a historical emotion came of age at ...
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... style; it was not a quest for another temporality. At the end, even the postmodernism of resistance admitted its paradoxical failure.As Hal Foster remarks, postmodernism did not lose, but “a worse thing happened; treated as fashion ...
... style; it was not a quest for another temporality. At the end, even the postmodernism of resistance admitted its paradoxical failure.As Hal Foster remarks, postmodernism did not lose, but “a worse thing happened; treated as fashion ...
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... style recreation of small-town life with period-clothed teenagers kissing on the spacious back seats of 1950s cars.The film exemplifies a different kind of nostalgia, not psychological but mythical, that has to do with a heroic American ...
... style recreation of small-town life with period-clothed teenagers kissing on the spacious back seats of 1950s cars.The film exemplifies a different kind of nostalgia, not psychological but mythical, that has to do with a heroic American ...
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aesthetic American architecture artist became become Benjamin Berlin border Brodsky Brodsky’s Bronze Horseman building café carnival cathedral century city’s commemorated contemporary culture dream East Eastern émigré estrangement European everyday exhibit exile facade film foreign future German global hero homecoming homeland human Ilya Kabakov imagined immigrants installation intimacy Jewish Joseph Brodsky Kabakov Kafka Leningrad longing Love Parade Luzhkov Mandelstam memory Milan Kundera modern monument Moscow museum myth Nabokov native never NewYork nostalgia nostalgic one’s Palace Palace of Soviets past perestroika Peter Petersburg Petersburgian photograph poem poet poet’s poetic political post-Soviet Prague reconstruction reflective nostalgia restoration revolution ruins Russian Saigon Schloss Shklovsky souvenirs Soviet Union space Stalin story style Svetlana Boym symbol synagogue Tacheles Third Rome tion toilet tradition turned University Press unofficial urban utopian virtual Vladimir Vladimir Nabokov Walter Benjamin West Western word writer