Public Speaking: Principles and PracticeMacmillan, 1913 - 398 sider |
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Resultater 1-5 af 36
Side 21
... turning of the tone downward or up- ward ; there is frequently a lengthening out of the vowel sound , and a sudden stop after , in some cases before , the word . Any or all these special noticeable vocal effects serve to draw attention ...
... turning of the tone downward or up- ward ; there is frequently a lengthening out of the vowel sound , and a sudden stop after , in some cases before , the word . Any or all these special noticeable vocal effects serve to draw attention ...
Side 24
... turned upward at the finish , to hook on , as it were , to the following . The weight of voice will be less marked , the inflection less long , and the pause usually less decided , than in the case of the primary emphasis . " Re- call ...
... turned upward at the finish , to hook on , as it were , to the following . The weight of voice will be less marked , the inflection less long , and the pause usually less decided , than in the case of the primary emphasis . " Re- call ...
Side 36
... turned , like his thought , more directly upon his audience . As his statement is more exactly to a point , so his gesture becomes more pointed and definite . When the speaker is not talking to or at his audience , to move them to his ...
... turned , like his thought , more directly upon his audience . As his statement is more exactly to a point , so his gesture becomes more pointed and definite . When the speaker is not talking to or at his audience , to move them to his ...
Side 39
... turned more outward . The feet will not be close together ; nor noticeably far apart . They need not - they had better not as it is sometimes pictured in books , be so set that a line passing lengthwise through the freer foot will pass ...
... turned more outward . The feet will not be close together ; nor noticeably far apart . They need not - they had better not as it is sometimes pictured in books , be so set that a line passing lengthwise through the freer foot will pass ...
Side 40
... turning the head from side to side , for addressing all the audience ; nervous shaking of the head , as of one greatly in earnest ; repeated , meaningless punching or pounding of the air , always in the same way ; shifting of one foot ...
... turning the head from side to side , for addressing all the audience ; nervous shaking of the head , as of one greatly in earnest ; repeated , meaningless punching or pounding of the air , always in the same way ; shifting of one foot ...
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Almindelige termer og sætninger
Abraham Lincoln action American audience Boston breath Brutus Cæsar called Company DANIEL WEBSTER debate E. J. Bowen effect England English expression eyes faith Faneuil Hall fathers feel fellow G. P. Putnam's Sons gentlemen GEORGE WILLIAM CURTIS gesture give glory Gunga Din hand head hear heard heart HENRY W honor human idea Julius Cæsar justice learned liberty Lincoln live look Lord mean ment mind nation nature ness never O'Connell orator party peace permission practice President principles public speaking publishers Senate sentence sound speaker speech spirit stand student tell thing thou thought tion to-day to-night tone United United States Senate vocal voice vowel Warren Hastings WENDELL PHILLIPS WILLIAM SHAKESPEARE words York young youth