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That not Verona's child of song,
When flying from the Phrygian shore,
With lighter heart could bound along,
Or pant to be a wand'rer more!1

Even now delusive hope will steal Amid the dark regrets I feel, Soothing, as yonder placid beam

Pursues the murmurers of the deep, And lights them with consoling gleam, And smiles them into tranquil sleep. Oh! such a blessed night as this,

I often think, if friends were near, How we should feel, and gaze with bliss

Upon the moon-bright scenery here! The sea is like a silvery lake,

And o'er its calin the vessel glides

Gently, as if it fear'd to wake

The slumber of the silent tides.

The only envious cloud that lowers

Hath hung its shade on Pico's height,
Where dimly, mid the dusk, he towers,
And scowling at this heav'n of light,
Exults to see the infant storm
Cling darkly round his giant form!

Now, could I range those verdant isles,

Invisible at this soft hour,

And see the looks, the beaming smiles,
That brighten many an orange bower;
And could I lift each pious veil,

And see the blushing cheek it shades,— Oh! I should have full many a tale,

To tell of young Azorian maids."
Yes, Strangford, at this hour, perhaps,
Some lover (not too idly blest,
Like those, who in their ladies' laps

May cradle every wish to rest)
Warbles, to touch his dear one's soul,

Those madrigals, of breath divine, Which Camoens' harp from Rapture stole And gave, all glowing warm, to thine.* Oh! could the lover learn from thee,

And breathe them with thy graceful tone, Such sweet, beguiling minstrelsy

Would make the coldest nymph his own.

But, hark!-the boatswain's pipings tell "Tis time to bid my dream farewell: Eight bells-the middle watch is set; Good night, my Strangford !-ne'er forget

1 Alluding to these animated lines in the 44th Carmen of Catullus:

Jam mens prætrepidans avet vagari,
Jam læti studio pedes vigescunt!

* A very high mountain on one of the Azores, from which

That, far beyond the western sea

Is one, whose heart remembers thee.

STANZAS.

Θυμος δε ποτ' εμας

με προσφώνει ταδε Γίνωσκε τανθρώπεια μη σεβειν αγαν.

ESCHYLL. Fragment.

A BEAM of tranquillity smiled in the west,

The storms of the morning pursued us no more; And the wave, while it welcomed the moment of rest Still heaved, as remembering ills that were o'er.

Serenely my heart took the hue of the hour,

Its passions were sleeping, were mute as the dead; And the spirit becalm'd but remember'd their power, As the billow the force of the gale that was fled.

I thought of those days, when to pleasure alone
My heart ever granted a wish or a sigh;
When the saddest emotion my bosom had known,
Was pity for those who were wiser than I.

I reflected, how soon in the cup of Desire
The pearl of the soul may be melted away;
How quickly, alas, the pure sparkle of fire

We inherit from heav'n, may be quench'd in the clay;

And I pray'd of that Spirit who lighted the flame,
That Pleasure no more might its purity dim;
So that, sullied but little, or brightly the same,
I might give back the boon I had borrow'd from
him.

How blest was the thought! it appear'd as if Heaven
Had already an opening to Paradise shown;
As if, passion all chasten'd and error forgiven,
My heart then began to be purely its own

I look'd to the west, and the beautiful sky,
Which morning had clouded, was clouded no

more:

"Oh! thus," I exclaim'd, "may a heavenly eye "Shed light on the soul that was darken'd before.”

the island derives its name. It is said by some to be as high as the Peak of Teneriffe.

I believe it is Guthrie who says, that the inhabitants of the Azores are much addicted to gallantry. This is an assertion in which even Guthrie may be credited. These islands belong to the Portuguese.

ΤΟ

THE FLYING FISH.'

WHEN I have seen thy snow-white wing
From the blue wave at evening spring,
And show those scales of silvery white,
So gayly to the eye of light,
As if thy frame were form'd to rise,
And live amid the glorious skies;
Oh! it has made me proudly feel,
How like thy wing's impatient zeal
Is the pure soul, that rests not, pent
Within this world's gross element,
But takes the wing that God has given,
And rises into light and heaven!

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A mother saw our eyelids close,
And bless'd them into pure repose;
Then, haply if a week, a day,
I linger'd from that home away,
How long the little absence seem'd!
How bright the look of welcome beam'd,
As mute you heard, with eager smile,
My tales of all that pass'd the while!

Yet now, my Kate, a gloomy sea Rolls wide between that home and me; The moon may thrice be born and die, Ere ev'n that seal can reach mine eye, Which used so oft, so quick to corne, Still breathing all the breath of home,As if, still fresh, the cordial air From lips beloved were lingering there. But now, alas,-far different fate! It comes o'er ocean, slow and late, When the dear hand that fill'd its fold With words of sweetness may lie cold.

But hence that gloomy thought! at last, Beloved Kate, the waves are past: I tread on earth securely now, And the green cedar's living bough Breathes more refreshment to my eyes Than could a Claude's divinest dyes. At length I touch the happy sphere To liberty and virtue dear, Where man looks up, and, proud to claim His rank within the social frame, Sces a grand system round him roll, Himself its centre, sun, and soul! Far from the shocks of Europe-far From every wild, elliptic star That, shooting with a devious fire, Kindled by heaven's avenging ire, So oft hath into chaos hurl'd The systems of the ancient world.

The warrior here, in arms no more, Thinks of the toil, the conflict o'er, And glorying in the freedom won For hearth and shrine, for sire and son, Smiles on the dusky webs that hide His sleeping sword's remember'd pride. While Peace, with sunny cheeks of toil, Walks o'er the free, unlorded soil, Effacing with her splendid share The drops that war had sprinkled there.

πετομένοις προς τα νηκτα. With this thought in our minds, when we first see the Flying-Fish, we could almost fancy that we are present at the moment of creation and witness the birth of the first bird from the waves.

Thrice happy land! where he who flies
From the dark ills of other skies,
From scorn, or want's unnerving woes,
May shelter him in proud repose:
Hope sings along the yellow sand
His welcome to a patriot land;

The mighty wood, with pomp, receives
The stranger in its world of leaves,
Which soon their barren glory yield
To the warm shed and cultured field;
And he, who came, of all bereft,
To whom malignant fate had left
Nor home nor friends nor country dear,
Finds home and friends and country here.

Such is the picture, warmly such, That Fancy long, with florid touch, Had painted to my sanguine eye Of man's new world of liberty. Oh! ask me not, if Truth have yet Her seal on Fancy's promise set; If ev'n a glimpse my eyes behold Of that imagined age of gold;Alas, not yet one gleaming trace !1 Never did youth, who loved a face As sketch'd by some fond pencil's skill, And made by fancy lovelier still, Shrink back with more of sad surprise, When the live model met his eyes, Than I have felt, in sorrow felt, To find a dream on which I've dwelt From boyhood's hour, thus fade and flee At touch of stern reality!

But, courage, yet, my wavering heart! Blame not the temple's meanest part,1 Till thou hast traced the fabric o'er:As yet, we have beheld no more Than just the porch to Freedom's fane; And, though a sable spot may stain The vestibule, 'tis wrong, 'tis sin To doubt the godhead reigns within! So here I pause-and now, my Kate, To you, and those dear friends, whose fate Touches more near this home-sick soul Than all the Powers from pole to pole, One word at parting-in the tone

Most sweet to you, and most my own.

1 Such romantic works as "The American Farmer's Letters," and the account of Kentucky by Imlay, would seduce us into a belief, that innocence, peace, and freedom had deserted the rest of the world for Martha's Vineyard and the banks of the Ohio. The French travellers, too, almost all from revolutionary motives, have contributed their share to the diffusion of this flattering misconception. A visit to the country is, however, quite sufficient to correct even the most enthusiastic prepossession.

The simple strain I send you here,'
Wild though it be, would charm your ear,
Did you but know the trance of thought
In which my mind its numbers caught.
"Twas one of those half-waking dreams,
That haunt me oft, when music seems
To bear my soul in sound along,
And turn its feelings all to song.
I thought of home, the according lays
Came full of dreams of other days;
Freshly in each succeeding note
I found some young remembrance float,
Till following, as a clew, that strain,
I wander'd back to home again.

Oh! love the song, and let it oft Live on your lip, in accents soft. Say that it tells you, simply weil, All I have bid its wild notes tell,Of Memory's dream, of thoughts that yet Glow with the light of joy that's set, And all the fond heart keeps in store Of friends and scenes beheld no more. And now, adieu!-this artless air, With a few rhymes, in transcript fair, Are all the gifts I yet can boast To send you from Columbia's coast; But when the sun, with warmer smile, Shall light me to my destin'd isle,* You shall have many a cowslip-bell, Where Ariel slept, and many a shell, In which that gentle spirit drew From honey flowers the morning dew.

A BALLAD.

THE LAKE OF THE DISMAL SWAMP. WRITTEN AT NORFOLK, IN VIRGINIA. "They tell of a young man, who lost his mind upon the death of a girl he loved, and who, suddenly disappearing from his friends, was never afterwards heard of. As he had frequently said, in his ravings, that the girl was not dead, but gone to the Dismal Swamp, it is supposed he had wandered into that dreary wilderness, and had died of hunger, or been lost in some of its dreadful morasses."-Anon.

"La Poésie a ses monstres comme la nature."-D'ALEXBERT.

"THEY made her a grave, too cold and damp "For a soul so warm and true;

2 Norfolk, it must be owned, presents an unfavorable speci men of America. The characteristics of Virginia in general are not such as can delight either the politician or the mor alist, and at Norfolk they are exhibited in their least attrac tive form. At the time when we arrived the yellow fever had not yet disappeared, and every odor that assailed us in the streets very strongly accounted for its visitation.

A trifling attempt at musical composition accompanied this Epistle. 4 Bermuda.

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TO THE

MARCHIONESS DOWAGER OF DONEGALL.

FROM BERMUDA, JANUARY, 1804.

LADY! where'er you roam, whatever land
Woos the bright touches of that artist hand;
Whether you sketch the valley's golden meads,
Where mazy Linth his lingering current leads;2
Enamor'd catch the mellow hues that sleep,
At eve, on Meillerie's immortal steep;

Or musing o'er the Lake, at day's decline,
Mark the last shadow on that holy shrine,3
Where, many a night, the shade of Tell complains
Of Gallia's triumph and Helvetia's chains;
Oh! lay the pencil for a moment by,
Turn from the canvass that creative eye,
And let its splendor, like the morning ray
Upon a shepherd's harp, illume my lay.

Yet, Lady, no-for song so rude as mine, Chase not the wonders of your art divine; Still, radiant eye, upon the canvass dwell; Still, magic finger, weave your potent spell; And, while I sing the animated smiles Of fairy nature in these sun-born isles, Oh, might the song awake some bright design, Inspire a touch, or prompt one happy line, Proud were my soul, to see its humble thought On painting's mirror so divinely caught; While wondering Genius, as he lean'd to trace The faint conception kindling into grace, Might love my numbers for the spark they threw, And bless the lay that lent a charm to you.

Say, have you ne'er, in nightly vision, stray'd To those pure isles of ever-blooming shade, Which bards of old, with kindly fancy, placed For happy spirits in th' Atlantic waste? Thore listening, while, from earth, each breeze that

came

Brought echoes of their own undying fame,
In eloquence of eye, and dreams of song,
They charm'd their lapse of nightless hours along:-
Nor yet in song, that mortal ear might suit,
For every spirit was itself a lute,
Where Virtue waken'd, with elysian breeze,
Pure tones of thought and mental harmonies.

The Great Dismal Swamp is ten or twelve miles distant from Norfolk, and the Lake in the middle of it (about seven mtes long) is called Drummond's Pond.

2 Lady Donegall, I had reason to suppose, was at this time still in Switzerland, where the well-known powers of her Pacil must have been frequently awakened.

The chapel of William Tell on the Lake of Lucerne,

4 M. Gebelin says, in his Monde Primitif, “Lorsque Strabon crût que les anciens théologiens et poëtes plaçoient les champs élysées dans les isles de l'Océan Atlantique, il n'entendit rien à leur doctrine." M. Gebelin's supposition, I have no doubt, is the more correct, but that of Strabo is, in the present instance, most to my purpose.

Believe me, Lady, when the zephyrs bland
Floated our bark to this enchanted land,-
These leafy isles upon the ocean thrown,
Like studs of emerald o'er a silver zone,-
Not all the charm, that ethnic fancy gave
To blessed arbors o'er the western wave,
Could wake a dream, more soothing or sublime,
Of bowers ethereal, and the Spirit's clime.

Bright rose the morning, every wave was still,
When the first perfume of a cedar hill
Sweetly awaked us, and, with smiling charms,
The fairy harbor woo'd us to its arms.1
Gently we stole, before the whisp'ring wind,
Through plantain shades, that round, like awnings,
twined

And kiss'd on either side the wanton sails,
Breathing our welcome to these vernal vales;
While, far reflected o'er the wave serene,
Each wooded island shed so soft a green
That the enamor'd keel, with whisp'ring play,
Through liquid herbage seem'd to steal its way.

Never did weary bark more gladly glide,
Or rest its anchor in a lovelier tide!
Along the margin, many a shining dome,
White as the palace of a Lapland gnome,
Brighten'd the wave;-in every myrtle grove
Secluded bashful, like a shrine of love,
Some elfin mansion sparkled through the shade;
And, while the foliage interposing play'd,
Lending the scene an ever-changing grace,
Fancy would love, in glimpses vague, to trace
The flowery capital, the shaft, the porch,
And dream of temples, till her kindling torch
Lighted me back to all the glorious days
Of Attic genius; and I seem'd to gaze
On marble, from the rich Pentelic mount,
Gracing the umbrage of some Naiad's fount.

2

Then thought I, too, of thee, most sweet of an The spirit race that come at poet's call,

1 Nothing can be more romantic than the little harbor of St. George's. The number of beautiful islets, the singular clearness of the water, and the animated play of the graceful little boats, gliding forever between the islands, and seeming to sail from one cedar-grove into another, formed altogether as lovely a miniature of nature's beauties as can well be imagined.

2 This is an allusion which, to the few who are fanciful enough to indulge in it, renders the scenery of Bermuda particularly interesting. In the short but beautiful twilight of their spring evenings, the white cottages, scattered over the islands, and but partially seen through the trees that surround them, assume often the appearance of little Grecian temples; and a vivid fancy may embellish the poor fisherman's hut with columns such as the pencil of a Claude might imitate. I had one favorite object of this kind in my walks, which the hospitality of its owner robbed me of, by asking me to visit him. He was a plain good man, and received me

Delicate Ariel! who, in brighter hours,
Lived on the perfume of these honey'd bowers,
In velvet buds, at evening, loved to lie,
And win with music every rose's sigh.
Though weak the magic of my humble strain
To charm your spirit from its orb again,
Yet, oh, for her, beneath whose smile I sing,
For her (whose pencil, if your rainbow wing
Were dimm'd or ruffled by a wintry sky,
Could smooth its feather and relume its dye,)
Descend a moment from your starry sphere,
And, if the lime-tree grove that once was dear,
The sunny wave, the bower, the breezy hill,
The sparkling grotto can delight you still,
Oh cull their choicest tints, their softest light,
Weave all these spells into one dream of night,
And, while the lovely artist slumbering lies,
Shed the warm picture o'er her mental eyes;
Take for the task her own creative spells,
And brightly show what song but faintly tells.

ΤΟ

GEORGE MORGAN, ESQ.

OF NORFOLK, VIRGINIA.S

FROM BERMUDA, JANUARY, 1804.
Κείνη δ' ηνεμόεσσα και άτροπος, οια θ' άλιπληξ,
Αιθύτης και μαλλον επιδρομος πεπερ ίπποις,
Ποντῳ ενεστήρικται.

CALLIMACH. Hymn in Del. v. 11.

On, what a sea of storm we've pass'd!—
High mountain waves and foamy showers,
And battling winds whose savage blast
But ill agrees with one whose hours
Have pass'd in old Anacreon's bowers.
Yet think not poesy's bright charm
Forsook me in this rude alarm —

well and warmly, but I could never turn his house into a Grecian temple again.

3 This gentleman is attached to the British consulate at Norfolk. His talents are worthy of a much higher sphere; but the excellent dispositions of the family with whom he resides, and the cordial repose he enjoys amongst some of the kindest hearts in the world, should be almost enough to atone to him for the worst caprices of fortune. The consul himself, Colonel Hamilton, is one among the very few instances of a man, ardently loyal to his king, and yet beloved by the Americans. His house is the very temple of hospitality, and I sincerely pity the heart of that stranger who, warm from the welcome of such a board, could sit down to write a libel on his host, in the true spirit of a modern philosophist. See the Travels of the Duke de la Rouchefoucault Liancourt, vol. ii. 4 We were seven days on our passage from Norfolk to Bermuda, during three of which we were forced to lay-to in a gale of wind. The Driver sloop of war, in which I went,

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