Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
Fra bogen
Resultater 1-3 af 48
Side 177
... vision of society . He could do this only as long as he possessed , as a touchstone to test any experience or concept , a standpoint involving more freedom , or " license , " and imagination than the particular social attitude or moral ...
... vision of society . He could do this only as long as he possessed , as a touchstone to test any experience or concept , a standpoint involving more freedom , or " license , " and imagination than the particular social attitude or moral ...
Side 190
... vision was present in some servant scenes of the Roman drama that were indebted to Atellanic folk farce . The ... vision and the meaning of his plays . Consequently , critics like Rossiter have done well to emphasize " the constant ...
... vision was present in some servant scenes of the Roman drama that were indebted to Atellanic folk farce . The ... vision and the meaning of his plays . Consequently , critics like Rossiter have done well to emphasize " the constant ...
Side 251
... vision and experience . But it stops short of that Renaissance form of the artistic transaction , the place " where process and product turn inside out to offer a style of illusion opposed to that which we customarily understand when we ...
... vision and experience . But it stops short of that Renaissance form of the artistic transaction , the place " where process and product turn inside out to offer a style of illusion opposed to that which we customarily understand when we ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur