Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 58
... social and religious consciousness were affected . In all these , the mystery plays reflected the impact of various changes in soci- ety and social consciousness , most conspicuously the increased need for plebeian instruction and ...
... social and religious consciousness were affected . In all these , the mystery plays reflected the impact of various changes in soci- ety and social consciousness , most conspicuously the increased need for plebeian instruction and ...
Side 98
... social foundations . While the mystery plays were intimately related to the social structure of the medieval town and guild system and to the relatively static quality of life in pre - Reformation England , the moralities and interludes ...
... social foundations . While the mystery plays were intimately related to the social structure of the medieval town and guild system and to the relatively static quality of life in pre - Reformation England , the moralities and interludes ...
Side 99
... social structure of the medieval country town or the largely immobile peasantry of the feudal era . The growing politi- cal and intellectual importance of the propertied bourgeoisie and rising gentry and the role of the English court ...
... social structure of the medieval country town or the largely immobile peasantry of the feudal era . The growing politi- cal and intellectual importance of the propertied bourgeoisie and rising gentry and the role of the English court ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur