Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 127
... sense and non- sense . And although the highly alliterative line that follows seems to be something of a relapse into true non - sense , its newly symbolic dimension inspires the allegorical whole of the passage with the sensuousness ...
... sense and non- sense . And although the highly alliterative line that follows seems to be something of a relapse into true non - sense , its newly symbolic dimension inspires the allegorical whole of the passage with the sensuousness ...
Side 150
... sense of the verb is sarcastically inverted , but this inversion works on two levels and has a twofold function : first , it achieves a sarcastic irony that is entirely in line with the new task of the mimetic creation of character as ...
... sense of the verb is sarcastically inverted , but this inversion works on two levels and has a twofold function : first , it achieves a sarcastic irony that is entirely in line with the new task of the mimetic creation of character as ...
Side 263
... sense of ' measure , verify ' was carried over into the abstract sense to produce a similar example according to measurement or from a plan ' " ; cf. also ibid . , sub OHM ( O. H. G. , âma , ôma ; M. H. G. , âme , ôme ; Netherlandish ...
... sense of ' measure , verify ' was carried over into the abstract sense to produce a similar example according to measurement or from a plan ' " ; cf. also ibid . , sub OHM ( O. H. G. , âma , ôma ; M. H. G. , âme , ôme ; Netherlandish ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur