Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 5
... ritual died out or became fossilized , the imitation of reality became deliberate and effective , thus transforming the function and structure of mimic actions . In ecstatic or magic ritual , the tension be- tween mythical archetype and ...
... ritual died out or became fossilized , the imitation of reality became deliberate and effective , thus transforming the function and structure of mimic actions . In ecstatic or magic ritual , the tension be- tween mythical archetype and ...
Side 17
... ritual action . Although the gradual separation of performer and " audience " increased the need to interpret cultic action in terms of representational forms , basic ele- ments of a ritual action persisted , albeit in submerged ways ...
... ritual action . Although the gradual separation of performer and " audience " increased the need to interpret cultic action in terms of representational forms , basic ele- ments of a ritual action persisted , albeit in submerged ways ...
Side 38
... ritual action and metaphorical expression is clearly not achieved , even though there are some suggestive links be- tween the inherent potentialities of socially effective ritual and the dra- matically affective forms of metaphorical ...
... ritual action and metaphorical expression is clearly not achieved , even though there are some suggestive links be- tween the inherent potentialities of socially effective ritual and the dra- matically affective forms of metaphorical ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur