Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 17
... representational forms , basic ele- ments of a ritual action persisted , albeit in submerged ways : the combat , the cure ( with its death and resurrection motifs ) , the quête ( with its pro- cessional and choral elements ) , as well ...
... representational forms , basic ele- ments of a ritual action persisted , albeit in submerged ways : the combat , the cure ( with its death and resurrection motifs ) , the quête ( with its pro- cessional and choral elements ) , as well ...
Side 67
... representational function ; they relate the biblical past to the perspective of “ now , ” which distances the mythical role from the contemporary performer and permits him the deliberately referential and interpretative form of ...
... representational function ; they relate the biblical past to the perspective of “ now , ” which distances the mythical role from the contemporary performer and permits him the deliberately referential and interpretative form of ...
Side 135
... representational standards of true dialogue . Such wordplay cannot , of course , compare with the elaborate and subtly conceived wit of Lyly or the infinite variety and ingenuity of Shakespeare's quibbles - forms enriched by artistic ...
... representational standards of true dialogue . Such wordplay cannot , of course , compare with the elaborate and subtly conceived wit of Lyly or the infinite variety and ingenuity of Shakespeare's quibbles - forms enriched by artistic ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur