Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 182
... practical perspectives and the sensuous spectacle associated with the popular tradition : academic standards of logic and poetics are nowhere so clearly replaced by the criteria of a more practical kind of experience as in Doctor ...
... practical perspectives and the sensuous spectacle associated with the popular tradition : academic standards of logic and poetics are nowhere so clearly replaced by the criteria of a more practical kind of experience as in Doctor ...
Side 183
... practical reality , and an awareness of the physical dimensions of the written and spoken word . The result was an unprecedented synthesis of old and new , of spiritual and practical , of speech and spectacle . The popular story of ...
... practical reality , and an awareness of the physical dimensions of the written and spoken word . The result was an unprecedented synthesis of old and new , of spiritual and practical , of speech and spectacle . The popular story of ...
Side 198
... practical concern with a dramaturgy whose principles are perhaps less evident but far reaching indeed . Speak the speech , I pray you , as I pronounc'd it to you , trippingly on the tongue ; but if you mouth it , as many of our players ...
... practical concern with a dramaturgy whose principles are perhaps less evident but far reaching indeed . Speak the speech , I pray you , as I pronounc'd it to you , trippingly on the tongue ; but if you mouth it , as many of our players ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur