Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side ix
... possible , because it would be a great loss to Shakespearean scholarship if lack of communica- tion should prevent its wealth of ideas and suggestions from making their deserved impact " ( Review of English Studies , 1969 ) . This ...
... possible , because it would be a great loss to Shakespearean scholarship if lack of communica- tion should prevent its wealth of ideas and suggestions from making their deserved impact " ( Review of English Studies , 1969 ) . This ...
Side 54
... possible in any other country in Europe . Under these conditions quite a few points of contact between folk ceremonies and professional dramatic entertainment were possible , from the early morality play Mankind to the unique phenomenon ...
... possible in any other country in Europe . Under these conditions quite a few points of contact between folk ceremonies and professional dramatic entertainment were possible , from the early morality play Mankind to the unique phenomenon ...
Side 61
... possible in view of the folk play's wide distribution . Without a very large audience already accustomed to semidramatic performances , these plays in which hundreds of people acted and which were watched by thousands of spectators in ...
... possible in view of the folk play's wide distribution . Without a very large audience already accustomed to semidramatic performances , these plays in which hundreds of people acted and which were watched by thousands of spectators in ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur