Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side xvi
... popular theatrical tradition is infinitely com- plicated by the absence of written texts , the nonliterary nature of folk entertainment was a source of great strength to the popular tradition itself ; for the oral tradition insured ...
... popular theatrical tradition is infinitely com- plicated by the absence of written texts , the nonliterary nature of folk entertainment was a source of great strength to the popular tradition itself ; for the oral tradition insured ...
Side xvii
... popular theater provides much more than a series of literary sources , the concept of " tradition " that we use in reference to its con- tinuity must be understood in terms of more comprehensive cultural and social activities in history ...
... popular theater provides much more than a series of literary sources , the concept of " tradition " that we use in reference to its con- tinuity must be understood in terms of more comprehensive cultural and social activities in history ...
Side 253
... Popular Tradition in Shakespeare's Comedy If the popular tradition contributed so much to the peculiar qualities of Shakespeare's stage and dramaturgy and even to some of the modes of his verbal art and dramatic composition , how , it ...
... Popular Tradition in Shakespeare's Comedy If the popular tradition contributed so much to the peculiar qualities of Shakespeare's stage and dramaturgy and even to some of the modes of his verbal art and dramatic composition , how , it ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur