Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side xxi
... poetics and rhetoric than any previous conception of the " popular bard " or the " natural poet " ( in the Romantic sense ) had ever allowed . By the time that W. W. Greg and Peter Alexander were looking into the textual - critical sub ...
... poetics and rhetoric than any previous conception of the " popular bard " or the " natural poet " ( in the Romantic sense ) had ever allowed . By the time that W. W. Greg and Peter Alexander were looking into the textual - critical sub ...
Side 175
... poetic substance infinitely larger than the sum of its parts . Thus the craftsmen's robust sense of reality at once heightens and limits the airy phantasia of the fairies , while in turn their graceful in- trigues form a dramatic ...
... poetic substance infinitely larger than the sum of its parts . Thus the craftsmen's robust sense of reality at once heightens and limits the airy phantasia of the fairies , while in turn their graceful in- trigues form a dramatic ...
Side 196
... poet's imagination.69 6 Renaissance Poetics and Elizabethan Realism : Vision and Experience The assimilation and poetic reshaping of the popular tradition within the more literary Renaissance drama reached its height in the twenty or so ...
... poet's imagination.69 6 Renaissance Poetics and Elizabethan Realism : Vision and Experience The assimilation and poetic reshaping of the popular tradition within the more literary Renaissance drama reached its height in the twenty or so ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur