Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 38
... meaning of the play . Since it is not realized in dramatic action , this choral interpretation seems to be verbally ap- pended rather than metaphorically integrated into the action itself . An interrelationship between ritual action and ...
... meaning of the play . Since it is not realized in dramatic action , this choral interpretation seems to be verbally ap- pended rather than metaphorically integrated into the action itself . An interrelationship between ritual action and ...
Side 83
... meaning , especially meaning generated by anach- ronism , is so contingent upon the complex relationships established above , it seems extremely misleading to speak of realism and burlesque as just so much " temporary distraction and ...
... meaning , especially meaning generated by anach- ronism , is so contingent upon the complex relationships established above , it seems extremely misleading to speak of realism and burlesque as just so much " temporary distraction and ...
Side 135
... meaning and dramatic function that is , in its way , superior to anything found in the sixteenth - century Senecan tradition or the humanist drama of the schools . Its meaning is closely connected with the Vice's penchant for physical ...
... meaning and dramatic function that is , in its way , superior to anything found in the sixteenth - century Senecan tradition or the humanist drama of the schools . Its meaning is closely connected with the Vice's penchant for physical ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur