Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 18
... interpretation and nonrepresentational action more mean- ingfully . This relationship , which is perhaps more profound and perva- sive than recent students of the Mummers ' Play are inclined to think , can be extremely subtle , but no ...
... interpretation and nonrepresentational action more mean- ingfully . This relationship , which is perhaps more profound and perva- sive than recent students of the Mummers ' Play are inclined to think , can be extremely subtle , but no ...
Side 38
... interpretation . The interpre- tation is a choral one in which the humanitarian or Christian spirit of the season is moralized into the meaning of the play . Since it is not realized in dramatic action , this choral interpretation seems ...
... interpretation . The interpre- tation is a choral one in which the humanitarian or Christian spirit of the season is moralized into the meaning of the play . Since it is not realized in dramatic action , this choral interpretation seems ...
Side 218
... interpreted psychologically by the modern producer as being motivated by Hamlet's forgetfulness or altered intention ( an interpretation that is not unjus- tified on one level ) , but such an interpretation is surely one - sided in ...
... interpreted psychologically by the modern producer as being motivated by Hamlet's forgetfulness or altered intention ( an interpretation that is not unjus- tified on one level ) , but such an interpretation is surely one - sided in ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur