Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 82
... experience of the audience : 3a 3a all Olde men to me take tent and weddyth no wyff in no kynnys wyse þat is a zonge wench be myn a - sent . . . Here may all men þis proverbe trow Þat many a man doth bete pe bow Another man hath þe ...
... experience of the audience : 3a 3a all Olde men to me take tent and weddyth no wyff in no kynnys wyse þat is a zonge wench be myn a - sent . . . Here may all men þis proverbe trow Þat many a man doth bete pe bow Another man hath þe ...
Side 110
... experience of ordinary people can be invoked and pitted against the illusions ( both theatrical and ideological ) of the stage world . In more than one respect " A " and " B " fulfill the same dramatic function as that of the older ...
... experience of ordinary people can be invoked and pitted against the illusions ( both theatrical and ideological ) of the stage world . In more than one respect " A " and " B " fulfill the same dramatic function as that of the older ...
Side 112
... experience of the real world and the theatrical and idealistic illusions of the play world . Thus , the extradramatic appeal to the experience of “ ye gode women " or the anachronistic reference to local " placis ” reflects a realism of ...
... experience of the real world and the theatrical and idealistic illusions of the play world . Thus , the extradramatic appeal to the experience of “ ye gode women " or the anachronistic reference to local " placis ” reflects a realism of ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur