Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 221
... example , in Lear's and Hamlet's speeches , mimesis not only serves a remarkably similar function , but does so in terms of a similar process of blurring two dif- ferent kinds of knowing . Here it is not ritual and cognition that are ...
... example , in Lear's and Hamlet's speeches , mimesis not only serves a remarkably similar function , but does so in terms of a similar process of blurring two dif- ferent kinds of knowing . Here it is not ritual and cognition that are ...
Side 225
... example , Apemantus ' stage position during the banquet scene in Timon of Athens ( 1 , 2 ) illustrates some of the potentialities of downstage acting on the Elizabethan platform stage . According to the stage direc- tion " A great ...
... example , Apemantus ' stage position during the banquet scene in Timon of Athens ( 1 , 2 ) illustrates some of the potentialities of downstage acting on the Elizabethan platform stage . According to the stage direc- tion " A great ...
Side 290
... example , in Shakespeare's Wooden O [ London , 1960 ] , pp . 56-57 ) have gone far beyond this . Doubt about the existence of the rear stage has led to various reinterpretations of individual scenes ( for example , Richard Hosley ...
... example , in Shakespeare's Wooden O [ London , 1960 ] , pp . 56-57 ) have gone far beyond this . Doubt about the existence of the rear stage has led to various reinterpretations of individual scenes ( for example , Richard Hosley ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur