Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 10
... elements of parody and conventions of disguise , like those found in the mimus , were the legacy of the native Roman theater from which Plautus drew in his creation of robust comic situa- tions and in his depiction of plebeian ...
... elements of parody and conventions of disguise , like those found in the mimus , were the legacy of the native Roman theater from which Plautus drew in his creation of robust comic situa- tions and in his depiction of plebeian ...
Side 17
... elements ) , as well as the dancing and the courtship ceremony in the related tradition of the Sword Play . On the other hand , there is an undeveloped element of verbal interpretation , usually varied by local accretions . This verbal ...
... elements ) , as well as the dancing and the courtship ceremony in the related tradition of the Sword Play . On the other hand , there is an undeveloped element of verbal interpretation , usually varied by local accretions . This verbal ...
Side 57
... elements from the mysteries ( biblical history such as the raising of Lazarus by Jesus ) and from the moralities ( allegorical figures such as the World and the Flesh , Wrath , and Envy ) are woven into a swiftly . changing series of ...
... elements from the mysteries ( biblical history such as the raising of Lazarus by Jesus ) and from the moralities ( allegorical figures such as the World and the Flesh , Wrath , and Envy ) are woven into a swiftly . changing series of ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur