Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 68
... effect of the role are rooted in the tension and interaction of the horrible and Ithe comic . This effect is not an original achievement of the Wakefield Master , or of any other medieval dramatist for that matter . It reflects the ...
... effect of the role are rooted in the tension and interaction of the horrible and Ithe comic . This effect is not an original achievement of the Wakefield Master , or of any other medieval dramatist for that matter . It reflects the ...
Side 209
... effect of important scenes and scene changes . Detailed study of the thirty extant plays that were performed in Shake- speare's Globe theater between 1599 and 1608 does not , however , sup- port this assumption . In twenty plays with ...
... effect of important scenes and scene changes . Detailed study of the thirty extant plays that were performed in Shake- speare's Globe theater between 1599 and 1608 does not , however , sup- port this assumption . In twenty plays with ...
Side 211
... effect , it is reasonable to suppose ( as Hodges does ) that some amount of acting was done in the yard.12 But while Hodges only suggests the possibility that messengers and riders on horseback may have en- tered in this way ...
... effect , it is reasonable to suppose ( as Hodges does ) that some amount of acting was done in the yard.12 But while Hodges only suggests the possibility that messengers and riders on horseback may have en- tered in this way ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur