Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
Fra bogen
Resultater 1-3 af 86
Side 55
... dramatic per- formance . When , in the fifteenth and sixteenth centuries , a professional theater first emerged as a secular and commercial institution , the semi- dramatic traditions of rudes Agricolae et Artifices merged with the ways ...
... dramatic per- formance . When , in the fifteenth and sixteenth centuries , a professional theater first emerged as a secular and commercial institution , the semi- dramatic traditions of rudes Agricolae et Artifices merged with the ways ...
Side 86
... dramatic quality was , of course , to be of great consequence by the time the English popular tradition was received and assimilated by Shakespeare's theater . Two scenes from the Wakefield Cycle may serve to illustrate this nas- cent ...
... dramatic quality was , of course , to be of great consequence by the time the English popular tradition was received and assimilated by Shakespeare's theater . Two scenes from the Wakefield Cycle may serve to illustrate this nas- cent ...
Side 107
... dramatic vitality : it informs the dramatic contrast but also defines the relationship between the aristocratic and the plebeian parts of the play such that the social and thematic contrast is juxtaposed to corresponding elements of ...
... dramatic vitality : it informs the dramatic contrast but also defines the relationship between the aristocratic and the plebeian parts of the play such that the social and thematic contrast is juxtaposed to corresponding elements of ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur