Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
Fra bogen
Resultater 1-3 af 58
Side 18
... developed dramatically . The dramatic interpretations of ritual action did not develop symbolically into a body of mythological images and stories ; they remained tied to the seasonal activities of the ritual per- former and the ...
... developed dramatically . The dramatic interpretations of ritual action did not develop symbolically into a body of mythological images and stories ; they remained tied to the seasonal activities of the ritual per- former and the ...
Side 192
... developed dramatic roles . In this sense Shakespeare broke away from Tarlton's " selfe - resembled show , " although he continued to mingle “ vile Russetings " with the finer robes of “ monarchs ” and aristocrats . When it came to the ...
... developed dramatic roles . In this sense Shakespeare broke away from Tarlton's " selfe - resembled show , " although he continued to mingle “ vile Russetings " with the finer robes of “ monarchs ” and aristocrats . When it came to the ...
Side 197
... developed by Renaissance scholars and learned authors , but may be detected in a few scenes ( such as the Wakefield shepherd scenes ) from the popular medieval theater . And yet , this tradition of popular realism in the theater must ...
... developed by Renaissance scholars and learned authors , but may be detected in a few scenes ( such as the Wakefield shepherd scenes ) from the popular medieval theater . And yet , this tradition of popular realism in the theater must ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
7 andre sektioner vises ikke
Andre udgaver - Se alle
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur