Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 22
... dancers , or at any other times , to come unreverently into the church or churchyard , and there to dance , or to play unseemly parts , with scoffs , jests , wanton gestures , or ribald talk . " 15 Popular customs connected with the ...
... dancers , or at any other times , to come unreverently into the church or churchyard , and there to dance , or to play unseemly parts , with scoffs , jests , wanton gestures , or ribald talk . " 15 Popular customs connected with the ...
Side 45
... dance ! Clown . A King dance ! Ask thee good fellow ? didn't I see thee tending swine ' tother day stealing swine I meant to say ? King . Now you've given offence to your Majesty , thee must either sing a song , or off goes your head ...
... dance ! Clown . A King dance ! Ask thee good fellow ? didn't I see thee tending swine ' tother day stealing swine I meant to say ? King . Now you've given offence to your Majesty , thee must either sing a song , or off goes your head ...
Side 47
... ( dancer ) , goes back to a common root , nart ( to dance ) .57 Perhaps it is not too conjectural to venture to suggest a primitive background where speech , movement , rhythm , and song originally formed a whole which preceded the ...
... ( dancer ) , goes back to a common root , nart ( to dance ) .57 Perhaps it is not too conjectural to venture to suggest a primitive background where speech , movement , rhythm , and song originally formed a whole which preceded the ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur