Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 8
... Comedy it must be seen against the background of an ever increasing division of labor ; the actor had long since ... Comedy . From the point of view of the actor - audience relationship , the significant dividing line does not run ...
... Comedy it must be seen against the background of an ever increasing division of labor ; the actor had long since ... Comedy . From the point of view of the actor - audience relationship , the significant dividing line does not run ...
Side 255
... comedy : " whether the acting charac- ters are comic to themselves or whether they appear so only to the audience . " While the latter appear merely ridiculous to Hegel , the former are more truly comic in the sense that they enjoy the ...
... comedy : " whether the acting charac- ters are comic to themselves or whether they appear so only to the audience . " While the latter appear merely ridiculous to Hegel , the former are more truly comic in the sense that they enjoy the ...
Side 264
... Comedy as to Middle Comedy ( p . 270 ) ; for a different opinion , see T. B. L. Webster , " South Italian Vases and Attic Drama , " The Classical Quarterly 42 ( 1948 ) : 15-27 , and A. D. Trendall , Phlyax Vases , University of London ...
... Comedy as to Middle Comedy ( p . 270 ) ; for a different opinion , see T. B. L. Webster , " South Italian Vases and Attic Drama , " The Classical Quarterly 42 ( 1948 ) : 15-27 , and A. D. Trendall , Phlyax Vases , University of London ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur