Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 72
... burlesque quality and function of audience participation in a context such as this . The re- sponse of the audience probably varied from one performance to another and certainly from one cycle to another . The presentation of Pilate and ...
... burlesque quality and function of audience participation in a context such as this . The re- sponse of the audience probably varied from one performance to another and certainly from one cycle to another . The presentation of Pilate and ...
Side 88
... burlesque anticipation and inversion of the birth of Christ in the stable at Bethlehem , which is carefully set up , first , in Mak's self - introduction : ... thi will , Lorde , of me tharnys . I am all vneuen ; that moves oft my ...
... burlesque anticipation and inversion of the birth of Christ in the stable at Bethlehem , which is carefully set up , first , in Mak's self - introduction : ... thi will , Lorde , of me tharnys . I am all vneuen ; that moves oft my ...
Side 91
... burlesque inversion of the sacred events in the stable at Bethlehem.72 And so , while many elements in the Secunda Pastorum have recognizable popular analogues , actions such as the burlesque an- nouncement of the birth of Mak's " child ...
... burlesque inversion of the sacred events in the stable at Bethlehem.72 And so , while many elements in the Secunda Pastorum have recognizable popular analogues , actions such as the burlesque an- nouncement of the birth of Mak's " child ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur