Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 14
... awareness , " anachronism , " and social criticism exist primarily by virtue of these contradictions . Seen in this light , the fantastic , scurrilous , and irreverent fool does not really stand in opposition to the " astonishing ...
... awareness , " anachronism , " and social criticism exist primarily by virtue of these contradictions . Seen in this light , the fantastic , scurrilous , and irreverent fool does not really stand in opposition to the " astonishing ...
Side 222
... awareness of the theatrical medium itself . Such is the case when Hamlet compares his own inactivity with the effusions of the player moved to tears by the emotion of his role . Here Hamlet judges himself not as a prince but as an actor ...
... awareness of the theatrical medium itself . Such is the case when Hamlet compares his own inactivity with the effusions of the player moved to tears by the emotion of his role . Here Hamlet judges himself not as a prince but as an actor ...
Side 260
... awareness , he , like the old Vice , uses two very reveal- ing figures : a proverb and a pun . The proverb , as the ... awareness : he uses this awareness to make the audience participate in the playing of the game ( in this case the ...
... awareness , he , like the old Vice , uses two very reveal- ing figures : a proverb and a pun . The proverb , as the ... awareness : he uses this awareness to make the audience participate in the playing of the game ( in this case the ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
Copyright | |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur