Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 287
... Elizabethan Drama and Shakespeare's Early Plays ( Chapel Hill , 1963 ) , pp . 342-43 . The attitudes and ideas involved in the origin and development of the Elizabethan fool are , as Barbara Könneker ( Wesen und Wandlung der Narrensidee ...
... Elizabethan Drama and Shakespeare's Early Plays ( Chapel Hill , 1963 ) , pp . 342-43 . The attitudes and ideas involved in the origin and development of the Elizabethan fool are , as Barbara Könneker ( Wesen und Wandlung der Narrensidee ...
Side 290
... Elizabethan Poetry , pp . 82 ff . , 223-24 , and 76 : " He submitted to learn from experience . ” 93. Elizabethan Critical Essays , 2 : 431 , 232. In his reply Nashe took the reproach seriously and asked ( ibid . , p . 243 ) , “ Is my ...
... Elizabethan Poetry , pp . 82 ff . , 223-24 , and 76 : " He submitted to learn from experience . ” 93. Elizabethan Critical Essays , 2 : 431 , 232. In his reply Nashe took the reproach seriously and asked ( ibid . , p . 243 ) , “ Is my ...
Side 300
... Elizabethan Government and Society . Edited by S. T. Bindoff , et al . London , 1961 : 56-94 . Black , J. B. The ... Elizabethan Tragedy . Reprint . Cam- bridge , 1960 . Bradbrook , M. C. The Growth and Structure of Elizabethan Comedy ...
... Elizabethan Government and Society . Edited by S. T. Bindoff , et al . London , 1961 : 56-94 . Black , J. B. The ... Elizabethan Tragedy . Reprint . Cam- bridge , 1960 . Bradbrook , M. C. The Growth and Structure of Elizabethan Comedy ...
Indhold
THE MIMUS | 1 |
THE FOLK PLAY AND SOCIAL CUSTOM | 15 |
THE MYSTERY CYCLES | 49 |
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting area action actor Alfred Harbage Apemantus attitudes audience basic biblical burlesque ceremonies character clown comedy comic contemporary context contradiction conventions criticism culture cycles dance developed dialogue dramatic dramatists dramaturgy E. K. Chambers effect elements Elizabethan English experience F. J. Furnivall Faustus festive figures fool function Garcio grotesque Hamlet heritage Herod holy homiletic humanist illusion important interpretation inversion Jack Finney King late ritual Lear literary locus Lollards London Ludus Coventriae madness meaning mimesis mimetic miming mimus mode morality Mummers Myscheff mystery plays myth nonrepresentational original parody performance perspective platea plebeian poetic popular theater popular tradition position proverb realism reality relationship Renaissance representational rhetoric Richard Richard Southern Robin Hood role scaffold scene secular self-expression sense Shakespeare Shakespeare's theater shepherds social society speech stagecraft structure Tarlton tension theatrical theme thou tion Tudor unity verbal Vice Vice's Wakefield word wordplay yowur