Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of AthensUniversity of Pittsburgh Press, 1977 - 245 sider |
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Side 225
Henry VI to Richard II and Pericles to Timon of Athens Frank Walsh Brownlow. Timon , and he sees ' em not ! It grieves me to see so many dip their meat in one man's blood ; and all the madness is , he cheers them up too . ' ( 1. ii . 39 ...
Henry VI to Richard II and Pericles to Timon of Athens Frank Walsh Brownlow. Timon , and he sees ' em not ! It grieves me to see so many dip their meat in one man's blood ; and all the madness is , he cheers them up too . ' ( 1. ii . 39 ...
Side 227
Henry VI to Richard II and Pericles to Timon of Athens Frank Walsh Brownlow. joy is at its zenith . ' Lights , more lights ! ' he cries , rapt by the desire to burn ever brighter in the world's eye . By standards of ... Timon of Athens 227.
Henry VI to Richard II and Pericles to Timon of Athens Frank Walsh Brownlow. joy is at its zenith . ' Lights , more lights ! ' he cries , rapt by the desire to burn ever brighter in the world's eye . By standards of ... Timon of Athens 227.
Side 240
Henry VI to Richard II and Pericles to Timon of Athens Frank Walsh Brownlow. introduction : ' Rule is necessary , but kings , as Henry is an example , have to operate within the limited perspectives of all men ' ( ibid . , p . 180 ) ...
Henry VI to Richard II and Pericles to Timon of Athens Frank Walsh Brownlow. introduction : ' Rule is necessary , but kings , as Henry is an example , have to operate within the limited perspectives of all men ' ( ibid . , p . 180 ) ...
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Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... F W Brownlow Ingen forhåndsvisning - 2013 |
Two Shakespearean Sequences: Henry VI to Richard II and Pericles to Timon of ... Frank Walsh Brownlow Ingen forhåndsvisning - 1977 |
Almindelige termer og sætninger
Alcibiades allegory Ariel artist audience audience's beauty Bolingbroke Caliban Cardenio cause character Clarence Clifford comedy comic conscience criticism crown Cymbeline death drama dramatist dream Elizabethan England evil eyes Falconbridge feeling fiction Gloucester Gloucester's gods Gower Hamlet hath Henry VIII Henry's hero human Iachimo idea imagery imagination Imogen innocence irony kind King John King Lear King's Knight's Tale language Leontes London Marina means mind moral motive murder narrative nature Noble Kinsmen Pandulph Perdita Pericles pity play play's action plot poet poetic political Polixenes Posthumus Prince Prospero Queen readers reason Richard Richard II Romantic says scene seems sense Shake Shakespeare shows soliloquy soul speaks speare's spectator speech stage story style symbol Tempest theatre Thebes thee theme Theseus things thou Timon of Athens truth Tudor turns Winter's Tale Wolsey Wolsey's words York York's Yorkists