Poems, Bind 21801 |
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... Italy , on the Banks of the Rhone on the Grief of Laura , supposed for the Death of her Mother on a distinction shewn to Laura by a Prince , supposed to be Charles son of the King of Bohemia , and afterwards the Emperor Charles the ...
... Italy , on the Banks of the Rhone on the Grief of Laura , supposed for the Death of her Mother on a distinction shewn to Laura by a Prince , supposed to be Charles son of the King of Bohemia , and afterwards the Emperor Charles the ...
Side
... Italy , on the Banks of the Rhone 277 on the Grief of Laura , supposed for the Death of her Mother 278 on a distinction shewn to Laura by a Prince , supposed to be Charles son of the King of Bohemia , and afterwards the Emperor Charles ...
... Italy , on the Banks of the Rhone 277 on the Grief of Laura , supposed for the Death of her Mother 278 on a distinction shewn to Laura by a Prince , supposed to be Charles son of the King of Bohemia , and afterwards the Emperor Charles ...
Side 136
... Italian poets in their own stanza , or verse : might not their stanza , or that of Spenser , agreeably to this idea , be adopted in allegorical poems of an old Italian or Provençal cast ? The association of ideas may likewise direct to ...
... Italian poets in their own stanza , or verse : might not their stanza , or that of Spenser , agreeably to this idea , be adopted in allegorical poems of an old Italian or Provençal cast ? The association of ideas may likewise direct to ...
Side 165
... Italian literati who had ranged themselves on the side of Ariosto , while those two poets had partizans so much opposed to each other . But he says , however , he cannot de- scribe the sensations which he felt , when , having deigned to ...
... Italian literati who had ranged themselves on the side of Ariosto , while those two poets had partizans so much opposed to each other . But he says , however , he cannot de- scribe the sensations which he felt , when , having deigned to ...
Side 191
... Italian opera , dialogue only , and not song , is anywhere professed to be represented . However capable music and metre should be of imitating truly , by the help of such unity or any other assistant principle , the different degrees ...
... Italian opera , dialogue only , and not song , is anywhere professed to be represented . However capable music and metre should be of imitating truly , by the help of such unity or any other assistant principle , the different degrees ...
Almindelige termer og sætninger
action ancient appear bard beauteous beauty Bishop of Worcester blank verse bless'd boast Canace character charms chorus comedy composition critic drama effect elegy Elfrida Empedocles epic poetry equal etiam expression eyes facundia fair fame fancy favour former genius give grace Gray grief hæc Heaven history painting honour idea imitation king labour Laura less Lord Love lyric lyric poetry manners means merit Metastasio metre mihi mind mirth nature ne'er o'er object observed opinion painting passions Pastoral poetry peculiar perhaps Petrarch pity play poems poetical poets Pope possess'd praise Procne produce quæ quid quod racter rhyme Rome rule satire Satyros scenes seem'd seems sentiments Shakspeare shew shewn song SONNET sort speak spirit stage stanza style sublime supposed taste theatre thee thing thou thought tibi Tibullus tragedy truth twas Vaucluse Voltaire woods words
Populære passager
Side 87 - Syllaba longa brevi subjecta vocatur iambus, Pes citus ; unde etiam trimetris accrescere jussit Nomen iambeis, quum senos redderet ictus Primus ad extremum similis sibi. Non ita pridem, Tardior ut paulo graviorque veniret ad aures, 255 Spondees stabiles in jura paterna recepit Commodus et patiens, non ut de sede secunda Cederet aut quarta socialiter.
Side 71 - Publica materies privati juris erit, si Non circa vilem patulumque moraberis orbem : Nee verbum verbo curabis reddere fidus Interpres ; nee desilies imitator in arctum, Unde pedem proferre pudor vetet, aut operis lex. The commentary thus illustrates it : " But the formation of quite new characters is a work of great difficulty and hazard.
Side 91 - Successit vetus his comoedia, non sine multa Laude ; sed in vitium libertas excidit et vim Dignam lege regi ; lex est accepta chorusque Turpiter obticuit sublato jure nocendi.
Side 5 - Or call up him that left half told The story of Cambuscan bold, no Of Camball, and of Algarsife, And who had Canace to wife, That owned the virtuous ring and glass. And of the wondrous horse of brass, On which the Tartar king did ride...
Side 62 - Quae nunc sunt in honore vocabula, si volet usus, Quem penes arbitrium est et jus et norma loquendi.
Side 73 - Non fumum ex fulgore sed ex fumo dare lucem Cogitat, ut speciosa dehinc miracula promat, Antiphaten Scyllamque et cum Cyclope Chary bdin. 145 Nec reditum Diomedis ab interitu Meleagri, Nec gemino bellum Trojanum orditur ab ovo ; Semper ad eventum festinat et in medias res Non secus ac notas auditorem rapit, et quae...
Side 75 - ... tandem custode remoto, gaudet equis canibusque et aprici gramine campi, cereus in vitium flecti, monitoribus asper, utilium tardus provisor, prodigus aeris, sublimis cupidusque et amata relinquere pernix.
Side 59 - In verbis etiam tenuis cautusque serendis, Dixeris egregie notum si callida verbum Reddiderit junctura novum. Si forte...
Side 83 - Ne quicunque deus, quicunque adhibebitur heros, Regali conspectus in auro nuper et ostro, Migret in obscuras humili sermone tabernas, Aut dum vitat humum nubes et inania captet.
Side 74 - Imberbus iuvenis, tandem custode remoto, gaudet equis canibusque et aprici gramine campi, cereus in vitium flecti, monitoribus asper, utilium tardus provisor, prodigus aeris...