Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and FunctionJohns Hopkins University Press, 1978 - 325 sider Criticism based on literary or formalist conceptions of structure or on the history of ideas, Robert Weimann contends, has removed Shakespeare from the theater, and the theater from society at large. 'It is only when Elizabethan society, theater, and language are seen as interrelated that the structure of Shakespeare's dramatic art emerges as fully functional, that is, as part of a larger, and not only literary, whole.' |
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Side 135
... wordplay cannot , of course , compare with the elaborate and subtly conceived wit of Lyly or the infinite variety and ingenuity of Shakespeare's quibbles - forms enriched by artistic self- consciousness , rhetorical training , and the ...
... wordplay cannot , of course , compare with the elaborate and subtly conceived wit of Lyly or the infinite variety and ingenuity of Shakespeare's quibbles - forms enriched by artistic self- consciousness , rhetorical training , and the ...
Side 138
... wordplay.50 And there is a direct line to Shakespeare through Tarlton's pupil Robert Armin . Keeping in mind Armin's Nest of Ninnies , there is some link between this kind of popular jesting and the verbal comedy that he was to perform ...
... wordplay.50 And there is a direct line to Shakespeare through Tarlton's pupil Robert Armin . Keeping in mind Armin's Nest of Ninnies , there is some link between this kind of popular jesting and the verbal comedy that he was to perform ...
Side 148
... wordplay . In keeping with its adaptation to the Renaissance art of dra- matic dialogue , wordplay came to be more and more important beyond its impertinent dimension , especially in the definition of theme and character . But even when ...
... wordplay . In keeping with its adaptation to the Renaissance art of dra- matic dialogue , wordplay came to be more and more important beyond its impertinent dimension , especially in the definition of theme and character . But even when ...
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Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Shakespeare and the Popular Tradition in the Theater: Studies in the Social ... Robert Weimann Ingen forhåndsvisning - 1987 |
Almindelige termer og sætninger
achieved acting action actor already appears associated attitudes audience awareness basic become burlesque called century character close clown comedy comic common connection considered context continuity conventions course court criticism culture developed dialogue direct drama dramatic early effect elements Elizabethan England English especially example experience expression fact festive figures follows fool function Hamlet helped holy humanist illusion important interpretation inversion involved kind King language late less London longer meaning medieval mimesis mode morality mystery myth nature noted original parody performance perspective platea play poetic popular tradition position present realism reality reference reflected relationship remained Renaissance representational result rhetoric Richard ritual Robin Robin Hood role scene seems sense served Shakespeare Shakespeare's theater shepherds significance social society sources speech stage structure suggests theater theatrical tion turned unity verbal Vice vision wordplay York